
Photo Credit: Fred R. Conrad/The New York Times
I read with interest an article from The New York Times on the renowned Lincoln Center Theater opening a new stage that will feature work by emerging playwrights, directors and designers. The 112-seat theatre called Claire Tow, home to Lincoln Center’s latest program, LCT3, will just charge US$20 for every ticket. The new theatre aims to develop new talent, feed the company’s two larger theatres – the Vivian Beaumont and the Mitzi E. Newhouse – and attract younger, more diverse audiences. Drinks at intermission will also be cheaper.
I’ve often posted on this blog that Canada’s performing arts organizations also need to have a succession plan and lure younger audiences and patrons. When you attend arts and cultural events in Ontario nowadays, whether it’s the opera, the ballet, the symphony, the Mirvish big-ticket musicals and plays, or The Stratford Sakespeare Festival and the Shaw Festival in the summer, audiences are primarily comprised of boomers, seniors and mature tourists. Each of these esteemed performing arts organizations has training schools for young talents and upper mezzanine seats for students at a less-prohibitive price. But do we ever see new public performances entirely produced by a group of budding artists and ticketed at $20 each? If there is any, I certainly wasn’t aware of it.
At a time when Broadway is increasingly costly, Lincoln Center joins non-profit companies all over the U.S. that are creating less expensive theatres to present scaled-down productions by rising artists and to build a new generation of patrons. There is a ton of such examples in New York – in September the Brooklyn Academy of Music will open a 250-seat theare with $20 tickets. In February, the Signature Theater Company opened its new complex that includes a theatre with 190 seats and a price of $25 a ticket.
According to André Bishop, Lincoln Center Theater’s artistic director, the thinking behind the new stage is meant to be a legacy – nurturing young writers, directors, designers under the Theater’s own roof. Lincoln Center wants the theatre to be un-Lincoln-Center-like, even though it’s on Lincoln Center grounds. Drinks and snacks will be less expensive at a bar that stays open well after a performance with an informal atmosphere.
Our youngsters need to appreciate arts and culture as they grow up and mature. Our performing arts need a new generation of patrons. Lincoln Center’s LCT3 initiative is a good role model for arts organizations in Canada and around the world.










